The December Weird Circular

Following the Angry Black Devil Rabbit into 2025

Recovering from Post-Election Existential Crises Mode

Dearest Resisters,

As someone with a chronic illness, it can be really challenging not to spend every email’s first half apologizing for being late. One thing I’m trying to be better at is giving myself a bit more grace. So, I am not exactly apologizing, but I do regret not keeping up with the big round-up emails here in my newsletter. Just know that I, like all of you, am a human, and 2024 was a doozy of a year.

I’m currently in my end-of-the-year recovery mode, but I wanted to send out some year-end updates. I’ll probably send a separate round-up of everything I had published this year. This is my more fun, personal check-in email to let you know of the things I have coming up in the new year (including a ton of workshops), and all the buffoonery I participated in last year.

2024 was a challenging year for me, particularly post-election. I don’t yet have words for what it has been like to live in the US (and Texas) in a world where 2025 means four more years of a dystopian landscape. If you follow my writing and art, you know that all of my work is at the center of a conversation about political issues—from feminism to human rights to censorship to gender to queerness. For me, writing is a way of processing the world and commenting on it.

There are a few major writing projects that I’ve been focused on in the last year. The first is a book of queer memoir poems. This project is pretty much complete, it’s just in the process of being sent out on individual poem submissions. The other project I’m still picking away at is my series of Encyclopedia erasure poems (available on my Tiktok/Instagram). Lastly, I’ve been chipping away at a little fun chapbook of poems I call “simulations”—all prose poems. Inbetween these, I create little arts of resistance.

One thing that really grates on my nerves is how people treat politics as something separate from art—but also separate from our individual lives. I think any marginalized person would disagree. I’ve been told, “It will be fine.” The reality is that for many (see Nevaeh Crain, Porsha Ngumezi, and so many more), it is not already fine. It is death. It is civil rights stripped. It is torture. Yet art still gets created.

In 2025, I don’t yet know where my creative focus will be or how I will process the future events that are inevitable in this landscape.

But I do know this:

I’m not giving up.

Writing is a creative practice that comes from a place we don’t entirely understand. When you write, you are tapping into an internal world that no one else can fully know. Writers have the special ability to take a difficult or complex topic and make it salient. Even if you’re just writing for fun, your words matter. Writing is also a huge, gigantic leap of faith. We don’t sit down to write assured what comes out will be good or even make sense. We rely entirely on our own minds and imagination. There are so many fantastic writers who never finish a book or publish or get successful. But on the other side of that—how terrible would it be if you never tried?

So I want to tell you that in 2025, I hope you write. I hope you write what you love, and I hope you love what you write. Because nothing is a given. We never know if our work will be complete, but we keep writing anyway. Time is fleeting (madness takes its toll!). So the time to write is NOW.

Write because you need to. Write because you want to. Write because someone pissed you off. Write because it helps you. Write because it helps someone else. Write for your imaginary best friend. Write because the world is on fire. Write to set the world on fire. Write like it’s going out of style. Write like tomorrow you might be sent to jail for writing. Write the truth. Write lies. Write—however you can, wherever you can, with as much heart and passion and love as you can. Write today and tomorrow and until the day you die. Write again and again and again. Write even if it’s bad, write like it’s going to be good someday. Write drafts and forget about them, write drafts and come back to them. Write what gives you joy, and write what makes you sad. Write all the beautiful things and all the ugly things. Write using tears as ink, or blood, or rage. Write hard things, write fun fluff. All that matters is that you love it.

With that in mind, my first big update to share is that I’ve got TWO new poems out in this anthology: Fumptruck: Open Letters, Essays, Fiction, Poetry, Artwork & Other Creations for & Inspired by the 47th President of the Divided States of America. The anthology has many fantastic names on the TOC and it is out now for sale. The two poems in this anthology are ones from my simulations project, and they are called “You Are Trapped in a Coma” and “There Is Nothing Wrong with You”.

Queer flag background with table of contents, FUMPTRUCK Open letters, essays, fiction, poetry, artwork, & other creations for & inspired by the 47th President of the Divided States of America

As a reminder, If you love what I do and want to support me, you can now upgrade to this newsletter to get extra-weird perks:

  • At least one subscriber-only post per month

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  • Bragging rights on being an absolute angel sent from heaven who loves freelancers and supports indie writers

  • A 20% discount on any of my editing services

Probably from PANK 💀

Every Weird Circular, I list upcoming opportunities to publish your writing geared toward writers of the weird (sci-fi, fantasy, horror, speculative!) I prioritize PAID opportunities by markets I trust and try to vet as much as I can.

Upcoming Submission Windows:

  • 12/31/2024: Chicken Soup for the Soul Series: Theme: Miracles, Messages from Heaven, Angels. Short Stories under 1,200 words. Pays $250/story

  • 12/31/2024: Dracula Beyond Stoker. Theme: Jonathan Harker. Short Stories and poetry (1.5k-5k words). Pays .05/word.

  • 1/15/2025: Neon Hemlock, Shatter the Sun: Queer Tales of Untold Adventure: Fantasy epics. Short Stories (up to 6k words). Pays .08/word.

  • 1/21/2025: Fairy Tale Magazine: Theme: Sleeping Beauty. Short stories (900-2k words), poetry (up to 500 words). Pays $25/piece

  • 1/31/25: Nonbinary Review: Theme: Mistaken Identity. Short Stories (up to 3k words), Poetry (up to 3 Poems). Pays .01/word, $10 for poems.

Need more submission ideas? Check the Grinder's newest markets, Duotrope's calendar, Submittable’s Discover Feature, Heavy Feather Review’s Where to Submit, SFPA's Speculative Poetry Markets, Horror Tree, Moksha's Open Publications, or The International Writer’s Collective Blog.

Since it’s the end of the year, I am going to make all of my prompts for this issue of the Weird Circular themed around year-end writing activities. I hope these will help you refocus for the new year to come and rediscover the inspiration you may be missing.

Prompt #1: Why Do We Write?

Listen to the above excerpt of Anaïs Nin talking about why we write. For this writing prompt, spend some time thinking about why YOU write. What have you accomplished this year? What do you want to accomplish in the new year? What’s holding you back from writing? What inspires you to write, and how can you cultivate that in the future?

Bonus Round: If you feel down on your writing because you haven’t accomplished everything you wanted this year, I suggest journaling about self-forgiveness. How can you forgive yourself for the past? Writing is a journey and it takes different paths for different people. What if you could let go of that self-judgment? What would that look like for your writing life?

Prompt #2: 10 Ideas

I come back to this prompt over and over again. Come up with 10 ideas for writing pieces. They might be ten stories or ten poems or ten essays or ten books. Write the ten ideas down and then summarize each one in a sentence. Now circle the ones that seem most exciting or juicy. Which ones feel too epic or difficult at this moment? This is a fun way to get ideas down on the paper without having to start on them just yet. Marvel at your ability to generate ideas 🙂 

Bonus Round: Write the first page or first few lines of one of your ideas.

Prompt #3: Project Check-In

Make a list of the projects you currently have in progress. Now for each project, make a list of the remaining tasks to finish that project. Which project is calling to you the most? It’s okay to follow your heart here.

Bonus Round: Make a plan to finish that project in the new year. “A Plan” might be a list of tasks, it might be one task to get you started, but it shouldn’t be “concepts of a plan”.

What I’m Consuming This Month (Literally, it’s in my brain-belly)

📖 Weird Book of the Month: I’ll admit that here at the end of the year, I’m rereading my cozy classic fav, Anne of Green Gables. But I recently read Finna by Nino Cipri and I adored the worldbuilding. If you’re an Ikea fan, you must read this one!

I’ve loved Chuck Wendig’s writing advice for a while (highly recommend the book Gentle Writing Advice), and this post resonated with me because it’s basically the approach I’ve come to take when I look at how terrible the world can be. Fuck it. I have to admit that my humor is pretty sarcastic and dark, and I know not everybody can handle that. I wish I could protect you, pretty starry-eyed babies. But the reality is, the fuck-it mentality can really serve you well as a writer.

I say it differently: Eyes on your own paper. Which is to say, everything might be falling apart, but in the end, it’s just you and that stupid piece of paper. Keep writing.

🎵 Music to Write by: So, usually, I share writing that doesn’t have lyrics, but for this issue of the Weird Circular, I want to share a song that’s been helping me get through December. “No Children” by the Mountain Goats, which has been trending on TikTok lately. This song pretty much encapsulates how I feel about life right now. I have been feeling deeply bleak and angry at the world.

But this song has a pretty clever structure. If you listen, you may realize that it utilizes what I call the “double negative” statement. After a few listens, it becomes clear that the song can be interpreted either as a completely nihilistic view of the world and the relationships in it, or you can assume the speaker of the piece actually desires the opposite of what they are saying.

This is a structure that works really well in a poem or story, too. So try it out in this extra prompt:

Write a poem, story, or essay that’s full of the OPPOSITE of what you want to say. If you need a starting point, finish this statement: I hope …

This newsletter is entirely run by me, Holly, your corporeal host. I’m just a bundle of anxiety shoved into a sweater and glasses fueled by caffeine-free-zero-sugar coke and feminine rage. I really, really love having you around, though. So if you want to keep reading, please consider becoming a subscriber: (please don’t make me join substack.)

Upcoming Workshops from Your Host with the Most Writing Prompts, Holly Lyn Walrath

30 Genres in 30 Days for Fiction Writers
DATE: 4 Weeks Starting January 6, 2025
TIME: Asynchronous, Self-Paced via Writing Workshops 
Price: $299

​Get ready to discover the magic of different genres in this fun and interactive 30-day workshop tailored for short story writers. Whether you’re into mystery, romance, horror, or science fiction, this workshop will help you grasp the unique elements and essentials of each genre. With 30 engaging prompts, you’ll master how to seamlessly blend popular genre traditions into your stories, no matter if you usually write microfiction, flash fiction, or short stories. This workshop is the perfect opportunity for fiction writers aiming to enhance their craft by gaining a deeper understanding of genres.

Confessional Poetry
DATE: 4 Weeks Starting April 7th, 2025
TIME: Asynchronous, Self-Paced via Writing Workshops
Price: $299

Where does the line between poet and poem blur? The poetry of Sylvia Plath, Anne Sexton, Robert Lowell, Randall Jarrell, and Elizabeth Bishop in the 60s, 70s, and 80s became iconic for its controversial use of the “confessional voice.” This genre has arguably shaped contemporary poetry today. In this workshop, we’ll explore what it means to write a confessional poem, but also, how poets can harness personal experience to reach an ideal reader. This workshop juxtaposes classical confessional poetry with contemporary poets who have harnessed the power of trauma to make the private public. Break down barriers, write with authenticity, and embrace the catharsis of confession. 

National Flash Fiction Month: 30 Short Stories in 30 Days 
DATE: 4 Weeks Starting July 1st, 2025
TIME: Asynchronous, Self-Paced via Writing Workshops
Price: $299

This generative workshop is chock full of 30 writing prompts for short story writers. Whether you write micro fiction, flash fiction, or short stories, these 30 prompts are meant to inspire and support you in this unique writing challenge. You've heard of NaPoWriMo (National Poetry Writing Month), where poets write 30 poems in 30 days, and you've probably heard of NaNoWriMo (National Novel Writing Month), where writers try to write a novel in a month. Now, you can do the same with short stories. Whether you're writing to a specific theme, assembling stories for a collection, or want to try writing a series of connected stories, this workshop will explore new contemporary structures like The Tryptich or The Wikipedia Entry. Open to writers of all genres--from realism to memoir to speculative fiction. Please note: This class has sold out every time I have offered it. I suggest you register early!

Self-Editing for Writers
DATE: 4 Weeks Starting March 3rd, 2025
TIME: Asynchronous, Self-Paced via Writing Workshops 
Price: $299

The best editor for a story is the author who wrote it. Every writer is different, and how you approach revising your work can vary based on the project. The key to self-editing is to see the bigger picture. Explore techniques for self-revising with step-by-step guidance from a freelance editor. Learn about the different types of editing, from developmental/content edits to copy/line editing and proofreading. You'll develop a personalized editing checklist that you can take with you from project to project, tweaking as you go.

Writing the Speculative Novel
DATE: 4 Weeks Starting May 5th, 2025
TIME: Asynchronous, Self-Paced via Writing Workshops Dallas
​Price: $299

Learn how to write (and finish) a speculative novel from outlining to revising to submissions.
Learn tips from a freelance editor who has worked with successful speculative writers to edit their books to perfection. With over ten years of experience in editing both self-published and big fiver writers, I know what works and what doesn’t when it comes to longform writing. In this class, we’ll explore techniques for outlining, critiquing, and revising the speculative novel. Learn how to create your own outline that you can re-use for future projects. Learn how to take on revision from the big picture to nitty gritty proofreading. Craft your book so that it has the best possible chance to get published!

DATE: 4 Weeks Starting September 9th, 2025
TIME: Asynchronous, Self-Paced via Writing Workshops
Price: $299

​Publishing survives on the work of editors. If you’ve ever considered becoming a freelance editor, this workshop will give you the tools needed to get your business started. Learn about the different types of editing, how to structure your editing business, and what resources exist for freelance editors. A nitty-gritty, in-depth guide to becoming a guide for writers.

Self-Paced Workshops (Sign Up Anytime!)

Self-Paced Course: 30 Poems In 30 Days
DATE: Ongoing
TIME: Asynchronous, Self-paced via Poetry Barn
PRICE: $149
This class came out of NaPoWriMo (National Poetry Writing Month), which happens every year in April. Similarly, the goal of this self-paced class is to write 30 poems in 30 days. However, you might write one poem a day, or several poems in a day, and then give yourself a break. It’s totally up to you! Whether you’re writing to a specific theme, assembling a group of poems for a chapbook, or you want to try writing a longer poetic sequence, this workshop is meant to support you with generative prompts and experiences to get you creating plenty of new work.

Self-Paced Course: Journaling for Poets
DATE: Ongoing
TIME: Asynchronous, Self-paced via Poetry Barn
PRICE: $99
Poets are observers. One way to keep track of your observations and ideas is through a writing journal. In this workshop, we'll cover the basics of journaling for poets, not just as a method of processing and keeping track of your thoughts, but as a method of improving your writing life and working towards a career as a writer.  In this workshop, you'll cover how to manage large ideas or projects, track submissions, create goals, revising, and more, all while exploring popular methods of journaling to find the one that works for you. If you feel out of sorts or disorganized in your writing life, this workshop is for you!

Self-Paced Course: Queer Poetics
DATE: Ongoing
​TIME: Asynchronous, Self-paced via Poetry Barn
​PRICE: $99
This workshop is an intersectional primer on LGBTQIA+ writers throughout the history of poetry. We’ll explore poets like Walt Whitman, Adrienne Rich, Allen Ginsberg, and Audre Lorde, but also the contemporary queer poets who have catapulted into the mainstream like Jericho Brown and Danez Smith. We’ll write poems alongside and inspired by the voices of queer poetics. This class is meant both for writers who want to explore their queerness and for writers who want to learn more about the history of queer poetry.

Self-Paced Course: Writing Resistance Through Erasure, Found Text & Visual Poetry
DATE: Ongoing
TIME: Asynchronous, Self-paced via Poetry Barn
PRICE: $99
Hybrid poetry forms can be a powerful form of resistance. From Jerrod Schwarz’s erasure of Trump’s inaugural speech to Niina Pollari’s black outs of the N-400 citizenship form, contemporary poets are engaging with the world through text, creating new and challenging works of art. Heralded by the rise of the “Instapoet,” visual works are a way to take poetry one step further by crafting new forms and structures that often transcend the page.

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